Here you can find all information about our live set-up
This rider is intended to help the organiser and band to ensure that the joint event runs smoothly. The details describe the set-up favoured by the band. However, these can be adapted or changed by prior arrangement. If you have any technical questions, please contact Andreas Beh.
Andy@disclaimer-music.de
Thank you very much!
The sound system should be a separate HI/Mid and Sub system suitable for the event area. It should be calibrated and tested when the band arrives.
Ideally, monitoring should be carried out via a separate in-ear mixing console (Behringer X32 digital mixing console), which is provided by the band itself and is already set up when the band arrives. Adjustments may be made by the band itself.
If this is not possible, the band will need four individually controllable monitor speakers.
The mixing console should have at least 16 free channels and fully parametric EQs.
The signal from all instruments / microphones is routed via a splitter before the IEM mixing console and can be forwarded from there to the main mixing console. The organiser should provide the cabling from the splitter to the main mixing console.
X-Disclaimer are travelling without their own technicians.
The stage should be ready for use when the band arrives. At open-air events, the stage must also be properly protected from the weather by roof and walls as well as a flat, even stage floor.
We are travelling without a lighting technician and would be happy to have a competent, creative lighting technician to provide atmospheric lighting for the show.
Optionally, a riser (2m x 2m x 0.4m) for the drums, centred at the rear edge of the stage, would be an advantage.
X-Disclaimer play alternative-metal.
Thank you for taking the time to read this rider. Should details not be realisable, we would like to ask you to contact our technical contact person in advance.
We look forward to a good cooperation and a successful event.
Andreas Beh
X-Disclaimer - technical contact
Patch
This channel assignment reflects the routing within the in-ear mixer. However, the splitters mean, that the assignment on the main mixer can be freely selected. Of course, it is also possible to route only individual channels. The microphones are provided by the band.
Kanal |
Instrument |
Mic |
Position |
1 |
Bass Drum |
AKG P2 |
Drums (Mäcky) |
2 |
Snare Drum |
AKG P4 |
Drums (Mäcky) |
3 |
Tom 1 |
AKG P4 |
Drums (Mäcky) |
4 |
Tom 2 |
AKG P4 |
Drums (Mäcky) |
5 |
Tom 3 |
AKG P4 |
Drums (Mäcky) |
6 |
OH L |
AKG P17 (Kleinmembran Kondensator) |
Drums (Mäcky) |
7 |
OH R |
AKG P17 (Kleinmembran Kondensator) |
Drums (Mäcky) |
8 |
- |
|
|
9 |
E-Gitarre 1 |
DI-Out |
Mitte (Igor) |
10 |
E-Gitarre 2 |
DI-Out |
Links (Andy) |
11 |
E-Bass |
DI-Out |
Rechts (Christian) |
12 |
Lead Vocals |
Shure SM58 |
Mitte (Igor) |
13 |
Backing Vocals 1 |
Shure SM58 |
Rechts (Christian) |
14 |
Backing Vocals 2 |
t.bone MB58 beta |
Links (Andy) |
15 |
Ambient Mic |
|
Mitte (zum Publikum) |
16 |
- |
|
|
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